ユングが書いたSe(外向感覚)

Sensation, in the extraverted attitude, is most definitely conditioned by the object〔中略〕Sensation has a preferential objective determination, and those objects which release the strongest sensation are decisive for the individual's psychology. The result of this is a pronounced sensuous hold to the object Sensation, therefore, is a vital function, equipped with the potentest vital instinct〔中略〕As a function its sole criterion of value is the strength of the sensation as conditioned by its objective qualities.

as sensation, when given the priority, is not a mere reactive process of no further importance for the object, but is almost an action which seizes and shapes the object

Tangible reality, under any conditions, makes him breathe again.〔中略〕His ideal is the actual〔中略〕He has no ideals related to ideas he has, therefore, no sort of ground for maintaining a hostile attitude towards the reality of things and facts.

His aim is concrete enjoyment, and his morality is similarly orientated.〔中略〕It by no means follows that he is just sensual or gross, for he may differentiate his sensation to the finest pitch of aesthetic purity without being the least unfaithful, even in his most abstract sensations, to his principle of objective sensation.

Introverted sensation conveys an image whose effect is not so much to reproduce the object as to throw over it a wrapping whose lustre is derived from age-old subjective experience and the still unborn future event. Thus, mere sense impression develops into the depth of the meaningful, while extraverted sensation seizes only the momentary and manifest existence of things.

The introverted intuitive's chief repression falls upon the sensation of the object.〔中略〕we find in his unconscious a compensatory extraverted sensation function of an archaic character.〔中略〕Impulsiveness and unrestraint are the characters of this sensation, combined with an extraordinary dependence upon the sense impression. latter quality is a compensation to the thin upper air of the conscious attitude, giving it a certain weight, so that complete ' sublimation ' is prevented.